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A Dotted Line [LP]
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A Dotted Line [LP]
Current price: $15.99
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Barnes and Noble
A Dotted Line [LP]
Current price: $15.99
Size: CD
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A
Nickel Creek
reunion was perhaps inevitable. Neither
Sara Watkins
nor
Sean Watkins
ceased performing together during their seven-year hiatus and while
Chris Thile
saw some success with
the Punch Brothers
, the pull of a 25th anniversary reunion was too strong to resist. To accompany a 2014 tour, the trio recorded the new album
A Dotted Line
, a record that adhered to the group's traditions so much they wound up whittling away most of their progressive leanings.
still has an ear for interesting covers -- here, they pick
Mother Mother
's "Hayloft" and
Sam Phillips
' "Where Is Love Now" -- but the instrumentation on this brief ten-song collection focuses on guitar, mandolin, and fiddle. It's a far cry from the eclectic, electric adventures on
' solo records but the music feels alive and nimble and the originals -- which are primarily group collaborations, although
Thile
wrote the instrumental "Elsie" and
Sean
wrote the plaintive "21st of May" -- are uniformly solid. If there isn't much spark, there is a surplus of warmth; the trio is comfortable and relaxed, and it's hard not to succumb to such friendly, familiar vibes. ~ Stephen Thomas Erlewine
Nickel Creek
reunion was perhaps inevitable. Neither
Sara Watkins
nor
Sean Watkins
ceased performing together during their seven-year hiatus and while
Chris Thile
saw some success with
the Punch Brothers
, the pull of a 25th anniversary reunion was too strong to resist. To accompany a 2014 tour, the trio recorded the new album
A Dotted Line
, a record that adhered to the group's traditions so much they wound up whittling away most of their progressive leanings.
still has an ear for interesting covers -- here, they pick
Mother Mother
's "Hayloft" and
Sam Phillips
' "Where Is Love Now" -- but the instrumentation on this brief ten-song collection focuses on guitar, mandolin, and fiddle. It's a far cry from the eclectic, electric adventures on
' solo records but the music feels alive and nimble and the originals -- which are primarily group collaborations, although
Thile
wrote the instrumental "Elsie" and
Sean
wrote the plaintive "21st of May" -- are uniformly solid. If there isn't much spark, there is a surplus of warmth; the trio is comfortable and relaxed, and it's hard not to succumb to such friendly, familiar vibes. ~ Stephen Thomas Erlewine