Even before his departure from
the Temptations
was confirmed,
Eddie Kendricks
had started working on the suitably titled debut solo venture
All by Myself
(1971). So, while the
Temps
were continuing to own the charts with the early-'70s soul epics
"Ball of Confusion,"
"Psychedelic Shack,"
"I Can't Get Next to You,"
and
"Just My Imagination (Runnin' Away with Me),"
the combo's co-founder had already maneuvered his escape. The album's ultimate lasting power can be found in the ageless grooves laid down behind
Kendricks
, courtesy of the Detroit-based
Motown
house band
the Funk Brothers
. Luckily,
was created while the soul and sonic spirit still dwelled at Hitsville USA's Motor City headquarters. Within 12 months, the entire operation would relocate to Los Angeles, thus concluding the label's seemingly perpetual stream of classics from the self-proclaimed "Sound of Young America" hit factory.
Right out of the gate the vocalist is at his intensely testifyin' best with the reverb-laden proto-funk
"Let's Go Back to Day One."
For the equally heartfelt
"This Used to Be the House of Johnnie Mae,"
digs deep into his gospel roots to unleash one of the effort's most emotive leads -- complete with spoken narration. Perhaps inspired by the lush string scores emanating out of the Philly soul movement,
"I Did It All for You"
and the classy remake of
Jimmy Webb
's
"Didn't We"
would have been worthy entries from the
Kenneth Gamble
/
Leon Huff
school of T.S.O.P. brand R&B. All the more refined is the laid-back and jazzy
"Can I."
Here,
' intimate interpretation demonstrates a strata that takes the tune to a level of sophistication that was unavailable to him as a
Temptation
. In 2005, as part of their restoration of
'
catalog,
Hip-O Select
included
on the double-disc
Keep on Truckin': The Motown Albums, Vol. One
(2005) anthology. ~ Lindsay Planer