If the heavy-hitters of
outlaw country
were acting like
rock
stars during their mid-'70s peak, then perhaps it was inevitable that the outlaws would start singing
songs -- which is precisely what
Waylon Jennings
did on 1976's
Are You Ready for the Country
. Although the title is taken from
Neil Young
's song -- which provides an absolutely storming opener for this ten-song record -- there is a bit of a jibe to its sentiment as well, since
Waylon
not only sings
Young
, but also
the Marshall Tucker Band
and
Dr. Hook
, along with reviving
Jimmy Webb
's
"MacArthur Park."
That selection of material indicates not just the increasing
-isms of
and the outlaws, it also indicates that
Jennings
' focus was beginning to blur slightly as he lost the sense of purpose that propelled his records of the first half the '70s, from
The Taker/Tulsa
to
Dreaming My Dreams
. Here, the music hasn't really changed, but the flow is no longer seamless and the shifting tones can be a little jarring. Also,
' songwriting starts to slip a little bit here; none of his originals are bad, and
"I'll Go Back to Her"
is quite good, but they're all decidedly second tier. All things considered, though, most of the individual moments hold up quite well, with
"Are You Ready for the Country"
and a wonderful, surging take on
Marshall Tucker
"Can't You See"
ranking among
's best music of the era. There are other very good moments, such as the cracking
"Jack a Diamonds,"
and the entire record is entertaining, but more for a collection of moments than a cohesive whole. That's the first time since the late '60s that one of
' albums felt like less than the sum of its parts, and if it didn't necessarily mark the end of the era, it did mark the point when he started to ease back from his startling peak of creativity. ~ Stephen Thomas Erlewine