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Audience of One: Trump, Television, and the Fracturing America
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Audience of One: Trump, Television, and the Fracturing America
Current price: $27.95
Barnes and Noble
Audience of One: Trump, Television, and the Fracturing America
Current price: $27.95
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Size: Hardcover
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New York Times Book Review
• Notable Book of the Year
Washington Post
• 50 Notable Works of Nonfiction in 2019 NPR.org • NPR 2019 Concierge
Slate
• 10 Best Books of the Year
Chicago Tribune
• Best Books of the Year
Publishers Weekly
Audience of One
reframes America’s identity through the rattled mind of an insomniac, cable-news-junkie president.
New York Times
chief television critic James Poniewozik offers a “darkly entertaining” (Carlos Lozada,
) history of mass media from the early 1980s to today, demonstrating how a volcanic, camera-hogging antihero merged with America’s most powerful medium to become our forty-fifth president. In charting the seismic evolution of television from a monolithic mass medium into today’s fractious confederation of spite-and-insult media subcultures, Poniewozik reveals how Donald Trump took advantage of these historic changes by constantly reinventing himself: from a boastful cartoon zillionaire; to 1990s self-parodic sitcom fixture; to The Apprentice reality-TV star; and finally to Twitter-mad, culture-warring demagogue. Already lauded as a “brilliant and daring” (Annalisa Quinn, NPR) work that defines a generation,
emerges as a classic in cultural criticism.
• Notable Book of the Year
Washington Post
• 50 Notable Works of Nonfiction in 2019 NPR.org • NPR 2019 Concierge
Slate
• 10 Best Books of the Year
Chicago Tribune
• Best Books of the Year
Publishers Weekly
Audience of One
reframes America’s identity through the rattled mind of an insomniac, cable-news-junkie president.
New York Times
chief television critic James Poniewozik offers a “darkly entertaining” (Carlos Lozada,
) history of mass media from the early 1980s to today, demonstrating how a volcanic, camera-hogging antihero merged with America’s most powerful medium to become our forty-fifth president. In charting the seismic evolution of television from a monolithic mass medium into today’s fractious confederation of spite-and-insult media subcultures, Poniewozik reveals how Donald Trump took advantage of these historic changes by constantly reinventing himself: from a boastful cartoon zillionaire; to 1990s self-parodic sitcom fixture; to The Apprentice reality-TV star; and finally to Twitter-mad, culture-warring demagogue. Already lauded as a “brilliant and daring” (Annalisa Quinn, NPR) work that defines a generation,
emerges as a classic in cultural criticism.
New York Times Book Review
• Notable Book of the Year
Washington Post
• 50 Notable Works of Nonfiction in 2019 NPR.org • NPR 2019 Concierge
Slate
• 10 Best Books of the Year
Chicago Tribune
• Best Books of the Year
Publishers Weekly
Audience of One
reframes America’s identity through the rattled mind of an insomniac, cable-news-junkie president.
New York Times
chief television critic James Poniewozik offers a “darkly entertaining” (Carlos Lozada,
) history of mass media from the early 1980s to today, demonstrating how a volcanic, camera-hogging antihero merged with America’s most powerful medium to become our forty-fifth president. In charting the seismic evolution of television from a monolithic mass medium into today’s fractious confederation of spite-and-insult media subcultures, Poniewozik reveals how Donald Trump took advantage of these historic changes by constantly reinventing himself: from a boastful cartoon zillionaire; to 1990s self-parodic sitcom fixture; to The Apprentice reality-TV star; and finally to Twitter-mad, culture-warring demagogue. Already lauded as a “brilliant and daring” (Annalisa Quinn, NPR) work that defines a generation,
emerges as a classic in cultural criticism.
• Notable Book of the Year
Washington Post
• 50 Notable Works of Nonfiction in 2019 NPR.org • NPR 2019 Concierge
Slate
• 10 Best Books of the Year
Chicago Tribune
• Best Books of the Year
Publishers Weekly
Audience of One
reframes America’s identity through the rattled mind of an insomniac, cable-news-junkie president.
New York Times
chief television critic James Poniewozik offers a “darkly entertaining” (Carlos Lozada,
) history of mass media from the early 1980s to today, demonstrating how a volcanic, camera-hogging antihero merged with America’s most powerful medium to become our forty-fifth president. In charting the seismic evolution of television from a monolithic mass medium into today’s fractious confederation of spite-and-insult media subcultures, Poniewozik reveals how Donald Trump took advantage of these historic changes by constantly reinventing himself: from a boastful cartoon zillionaire; to 1990s self-parodic sitcom fixture; to The Apprentice reality-TV star; and finally to Twitter-mad, culture-warring demagogue. Already lauded as a “brilliant and daring” (Annalisa Quinn, NPR) work that defines a generation,
emerges as a classic in cultural criticism.
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