It must have seemed strange to some fans during the era (late '50s to the mid-'60s) that soulful singers like could get by with using electric guitars even before brought one to Newport in 1965. Acoustic guitars, however, pretty much faded into the background when a powerful vocal group like cut loose, and this was also true of any singer with a deep, resonate voice like . The joining of and in 1966 as the revival was fading from sight was an inspired pairing. 's a gutsy vocalist, and the addition of a backing vocal group, keyboards, and tasteful guitar work ripens her presentation to a new fullness. This is immediately obvious on both the album's opener, and its follow-up, Both songs are deeply anchored to the civil rights movement, and while a few references to current politicians date the material, the power of the music is undeniable. With 's voice pouring out of the left speaker and the soulful harmony of pouring out of the right speaker, the music blends, builds, and finally expresses both spiritual breadth and depth. Listening to one hears how 's voice benefits from lots of cushioning, of how her compatriots allow her a safe place from which to launch her vocals. Certain pieces like work less well, mostly because the quick timing works against both artists' strengths. Overall, though, is a wonderful album that surpasses its historical status by offering a lovely blend of good songs, spare arrangements, and superb singing. ~ Ronnie D. Lankford, Jr.