Conventional wisdom dictates that the Caribbean Islands are where you go to relax, not work, but not for
Kenny Chesney
. The Tennessee native found his muse on the islands, and it changed his life and work. He started his career as a good, if unremarkable,
neo-traditionalist
singer, but he slowly built his own identity as a singer and songwriter, largely due to the time he spent in the islands, a love that he celebrated in his music and interviews. Not since
Jimmy Buffett
has a musician been so thoroughly identified with the life of a beach bum, but there is a big difference between the two.
Buffett
happily creates a soundtrack to a never-ending party, coasting a combination of good times and easy grooves and while
Chesney
certainly does indulge in this ingratiatingly lazy vibe, he also finds the islands as a place for introspection, and nowhere is that more evident than on his eighth album, 2005's
Be as You Are (Songs from an Old Blue Chair)
. This is the companion piece to the breezy, bright modern
country
of 2004's
When the Sun Goes Down
, a relaxed, low-key collection of
ballads
and easy-rolling
pop
tunes that strikes precisely the right contemplative note, as if it were designed to be played during a picturesque ocean sunset. Which isn't to say that
Be as You Are
is a confessional album, or even a collection of overly introspective songs. There are autobiographical details threaded throughout the record, particularly on the opener,
"Old Blue Chair,"
but the songs are open-ended, so listeners can identify with the narrator, or they're nice, mellow party tunes like
"Key Lime Pie"
or slow dance numbers like
"Magic."
It's a quiet record, but hardly an album that features
alone with his guitar.
is as polished and professional as
, yet it's designed for quiet afternoons, not parties on the weekend. To
's credit, he's as appealing on this set of relaxed tunes as he was on its gleaming, ultramodern predecessor, and taken together, they are strong proof that he's one of best singers and songwriters working in
contemporary country
music in the mid-2000s. ~ Stephen Thomas Erlewine