Having experimented with their sound over the course of two albums, England's
the 1975
settle down into a cozy and melodic vibe with 2022's
Being Funny in a Foreign Language
. Produced by lead singer
Matthew Healy
, with drummer
George Daniel
and
Jack Antonoff
, the album follows the companion releases of 2018's
A Brief Inquiry Into Online Relationships
and 2020's
Notes on a Conditional Form
. Those albums revealed the band's transformative knack for exploring a variety of styles, from lo-fi pop and Auto-Tuned R&B, to ever more avant-garde electronic soundscapes. In contrast,
Being Funny
is a relatively straight-forward production, nicely evoking the group's first two albums. In fact, if
had been the group's third release after 2016's
I Like It When You Sleep
, it would have made a lot of sense. These are immediately infectious songs built on shimmering guitar and keyboard riffs, several of which, including "Happiness" also feature saxophonist
Zem Audu
, whose bright sonic textures add to the bands jazzy, early-'80s adult contemporary pop vibe. Equally compelling are cuts like "Looking for Somebody to Love," "Part of the Band," and "Oh Caroline," all which pleasingly mesh the group's adopted
Fleetwood Mac
influence with the more dance-oriented post-punk style of their 2013 debut. There's also a sense that the band has gone through some tough times and maybe even had some therapy to deal with past trauma. It's a feeling of self-examination that
Healy
brings to "When We Are Together," admitting his toxic behavior in a relationship "I thought we were fighting but it seems I was 'gaslighting' you. I didn't know that it had its own word." Other modern buzz words the band seem to have discovered pop up throughout the album as they reference "QAnon," "Getting Cucked," and "Canceled," themes that speak to
's ongoing hyper-awareness of contextualizing the band within the culture they are living through. On "Part of the Band," he even wonders, "Am I ironically woke? The butt of my joke?" It's an awareness that drives
from the start, as on the opening "The 1975," a song the band have continually reworked on each of their albums and which sets the tone for where their heads are at. Here,
offers sympathy to any of his teenage fans who find themselves growing up in what feel like increasingly troubled and divisive times. He also apologizes for his own infamously outspoken persona with the wry mea culpa "I'm sorry about my 20s I was learning the ropes, I had a tendency of thinking about it after I spoke." With
,
do seem to have matured, confidently jumping off the ropes and back into the center of the pop music ring. ~ Matt Collar