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Best of Luck
Barnes and Noble
Best of Luck
Current price: $14.99
Barnes and Noble
Best of Luck
Current price: $14.99
Size: CD
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The fifth studio album from songwriter and skilled fingerpicker
Christopher Paul Stelling
,
Best of Luck
reflects a few changes in approach for the musician. Following years of near constant touring,
Stelling
stayed put for (effectively) the first time since his 2012 debut, putting down roots in Asheville, North Carolina and taking up a residency at the Stetson Kennedy estate in Florida while he worked on writing the album. It's his first with an outside producer, none other than
Ben Harper
, who expressed interest in working with
after they toured together.
Harper
has stressed
's soulful vocals as an underrated part of his charismatic style, one that fuses folk, blues, and more with his intricate playing and impassioned lyrics. Slightly smoothing out rough edges, both in terms of sound and frame of mind,
is
's most optimistic set to date, especially compared to its predecessor, the protest-fueled
Itinerant Arias
. He sounds calm and confident on the gratitude-filled "Lucky Stars," a sauntering ballad that features
on slide guitar and Hammond B-3, and
's partner,
Julia Christgau
, on backing vocals. Here, even the decisively titled "Made Up Your Mind" offers the possibility of reevaluation. A similarly older and wiser version of
appears on tracks like "Have to Do for Now" and "Something in Return," the latter a lesson in humility that offers an upside: "Praying for the patience for the trust we have to earn/If you give a little something you get something in return." An exception to the collection's generally even-keeled tone is "Hear Me Calling," a fiery rock tune with crashing cymbals and full-throated self-awareness. Joining
on most of the tracks are bassist
Mike Valerio
(
Neil Young
Randy Newman
) and drummer
Jimmy Paxson
Stevie Nicks
), who deliver deft accompaniment to a stylistically varied set that also includes the solo instrumental "Blue Bed," which shines a spotlight on the guitarist's rhythmic, harmonic, and technical skills on his instrument. However, the focus of
is spirit over proficiency, and it closes on a guitar-free piano lullaby "Goodnight Sweet Dreams," a note of calm reassurance that looks forward to what's to come. ~ Marcy Donelson
Christopher Paul Stelling
,
Best of Luck
reflects a few changes in approach for the musician. Following years of near constant touring,
Stelling
stayed put for (effectively) the first time since his 2012 debut, putting down roots in Asheville, North Carolina and taking up a residency at the Stetson Kennedy estate in Florida while he worked on writing the album. It's his first with an outside producer, none other than
Ben Harper
, who expressed interest in working with
after they toured together.
Harper
has stressed
's soulful vocals as an underrated part of his charismatic style, one that fuses folk, blues, and more with his intricate playing and impassioned lyrics. Slightly smoothing out rough edges, both in terms of sound and frame of mind,
is
's most optimistic set to date, especially compared to its predecessor, the protest-fueled
Itinerant Arias
. He sounds calm and confident on the gratitude-filled "Lucky Stars," a sauntering ballad that features
on slide guitar and Hammond B-3, and
's partner,
Julia Christgau
, on backing vocals. Here, even the decisively titled "Made Up Your Mind" offers the possibility of reevaluation. A similarly older and wiser version of
appears on tracks like "Have to Do for Now" and "Something in Return," the latter a lesson in humility that offers an upside: "Praying for the patience for the trust we have to earn/If you give a little something you get something in return." An exception to the collection's generally even-keeled tone is "Hear Me Calling," a fiery rock tune with crashing cymbals and full-throated self-awareness. Joining
on most of the tracks are bassist
Mike Valerio
(
Neil Young
Randy Newman
) and drummer
Jimmy Paxson
Stevie Nicks
), who deliver deft accompaniment to a stylistically varied set that also includes the solo instrumental "Blue Bed," which shines a spotlight on the guitarist's rhythmic, harmonic, and technical skills on his instrument. However, the focus of
is spirit over proficiency, and it closes on a guitar-free piano lullaby "Goodnight Sweet Dreams," a note of calm reassurance that looks forward to what's to come. ~ Marcy Donelson
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