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Between the Lines
Barnes and Noble
Between the Lines
Current price: $18.99
Barnes and Noble
Between the Lines
Current price: $18.99
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From Chicago's
Joan Hickey
,
Between the Lines
is a rather eclectic mix of original compositions and
standards
, and an eclectic mix of
at that. The album opens with a
Hickey
original in tribute to
Herbie Hancock
that attempts, and at least partially succeeds, in representing some of the massive range
Hancock
is capable of on the piano (also
's instrument of choice). The album moves quickly to the American songbook with
Rodgers
and
Gershwin
providing a platform for massive
improvisation
and rearrangement that still allows the players to hold together and show off their chops. Interestingly,
"My Funny Valentine"
takes on half a
reggae
rhythm in the process, thanks largely to
Dana Hall
on drums and
Dennis Carroll
on bass.
Joe Zawinul
's
"Midnight Mood"
gives
one of her best places to shine, as she invokes
Bill Evans
' style thoroughly and effectively.
"Black Magic Woman"
(with
John Wojciechowski
taking the lead on sax) walks the line between reverent and odd, with
having some trouble adapting the piano to the feel of the song for a while.
"Bridge Over Troubled Water"
works better, but the real treat is at the end of the album, when she takes on an old
Bud Powell
number for a final chance to show off her speed. Throughout the album,
holds toward the back of the session whenever it seems appropriate for other players to step forward. Unfortunately, she also holds back now and then when she should be at the forefront. The players all turn in excellent performances, especially
Hall
on drums. The compositions provide an interesting mix of old and new that one is unlikely to hear too often. The overall effect is a good one, worth a spin for jazzheads old and young alike. ~ Adam Greenberg
Joan Hickey
,
Between the Lines
is a rather eclectic mix of original compositions and
standards
, and an eclectic mix of
at that. The album opens with a
Hickey
original in tribute to
Herbie Hancock
that attempts, and at least partially succeeds, in representing some of the massive range
Hancock
is capable of on the piano (also
's instrument of choice). The album moves quickly to the American songbook with
Rodgers
and
Gershwin
providing a platform for massive
improvisation
and rearrangement that still allows the players to hold together and show off their chops. Interestingly,
"My Funny Valentine"
takes on half a
reggae
rhythm in the process, thanks largely to
Dana Hall
on drums and
Dennis Carroll
on bass.
Joe Zawinul
's
"Midnight Mood"
gives
one of her best places to shine, as she invokes
Bill Evans
' style thoroughly and effectively.
"Black Magic Woman"
(with
John Wojciechowski
taking the lead on sax) walks the line between reverent and odd, with
having some trouble adapting the piano to the feel of the song for a while.
"Bridge Over Troubled Water"
works better, but the real treat is at the end of the album, when she takes on an old
Bud Powell
number for a final chance to show off her speed. Throughout the album,
holds toward the back of the session whenever it seems appropriate for other players to step forward. Unfortunately, she also holds back now and then when she should be at the forefront. The players all turn in excellent performances, especially
Hall
on drums. The compositions provide an interesting mix of old and new that one is unlikely to hear too often. The overall effect is a good one, worth a spin for jazzheads old and young alike. ~ Adam Greenberg