Buffalo Tom
proved that their palate was a lot broader and their reach a lot farther than anyone might have expected on
Let Me Come Over
, and while the following year's
Big Red Letter Day
didn't show the same sort of growth, it also proved the band hadn't forgotten any of their tricks along the way.
sounds a bit poppier than it's immediate predecessor, though that seems largely a function of the production by
the Robb Brothers
, which features a bit more body and a significant amount more gloss than the leaner, cleaner tone of
, and to these ears the strong, infectious melodies of the songs (and the tight ensemble playing by the group) hold up well to such treatment. And while the palpable angst of
was obviously sincere but a wee bit samey by the end of that album,
cuts back on the rueful self-examination just a bit, and the hopefulness of
"Dry Land"
and
"Anything That Way"
was a welcome touch from a band that often had a hard time embracing their happiness. Unlike their last two albums,
didn't display much in the way of unexpected new sides to
-- it just found them doing what they do very well indeed, and anyone who loves the band will enjoy this record. ~ Mark Deming