Tenor saxophonist
Archie Shepp
, who was one of the enfant terribles of the
free jazz
generation in the 1960s, once said, seemingly uncharacteristically, "You can hear every minute of every hour of every day of every year a player puts into practicing his horn when he plays a
ballad
." He was being prophetic, of course, as this date from 1992 suggests. Teamed with pianist
Horace Parlan
-- with whom he recorded the magnificent duet of
spirituals
Goin' Home
-- bassist
Wayne Dockery
, and drummer
Steve McCraven
,
Shepp
leads the quartet through an astonishing series of
ballads
that are as revelatory for their understatement as they are for their musical aplomb.
takes the
Ben Webster
approach on these 11 sides and comes off as a singer of songs (he is not singing) rather than as a saxophone player. His readings of
"Angel Eyes,"
"All Too Soon,"
and
"Smoke Gets in Your Eyes,"
and his souled-out cover of
"Georgia on My Mind,"
are stunning for the restraint and nuance they contain.
Parlan
's comping slips toward fills of uncommon texture and dimensionality in the bridges of these tunes, and on
's own
"I Know About the Life,"
he reinvents the tune itself. The high point of this glorious record is
"Deja Vu,"
as it comes out of an uncommonly long
"Lush Life,"
where the lyric of both compositions becomes a kind of recitation on the
blues
in stretched time. Issued on the
Timeless
label, this is a must-have for all
fans, but more importantly, it is for all followers of the development in harmonic thinking about the
form in
jazz
. ~ Thom Jurek