Since forming in 1997, alternative rock trio
Muse
have ambitiously created a sound of their own, mixing elements of glam, pop, and symphonic music into a rock hybrid. While British fans have praised
for years, it wasn't until 2003's
Absolution
that Americans discovered the band and gave them their rightful props. Whether or not you championed the grand dramatics of
, it was obvious that
are a solid and unique band, and
Black Holes and Revelations
, the follow-up, confirms those strengths with a passion.
Rich Costey
joins
in the co-production of this 11-song set; together, they create the band's most realized and meticulous album to date. "Take a Bow" sets the scene by layering full rock orchestration with waves of synthesizers and percussion, all of it building up to vocalist/guitarist
Matthew Bellamy
's aching observance of a world torn apart by its own instability. Though frequently compared to
Queen
's
Freddie Mercury
and
Radiohead
Thom Yorke
,
Bellamy
comes into his own as a vocalist here, and he, drummer
Dominic Howard
, and bassist
Chris Wolstenholme
pull equal weight as instrumentalists throughout. The sultry, swaggering "Supermassive Black Hole" and the razor-edged, paranoiac "Assassin" are prime examples of how adamant
are about delivering the biggest rock & roll package possible, while "Starlight" proves they can write a radio-worthy anthem without jeopardizing their ethics.
howls "You and I must fight for our rights/You and I must fight to survive" during the riotous,
Rush
-like megalomania of
"Knights of Cydonia,"
and it's true -- they've totally fought for their craft on this one. It may have taken four albums for Americans to get with the program, but with
, the whole world should be watching. ~ MacKenzie Wilson