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Delta Swamp Rock, Vol. 2: More Sounds from the South 1968-75: At the Crossroads of Rock, Country and Soul
Barnes and Noble
Delta Swamp Rock, Vol. 2: More Sounds from the South 1968-75: At the Crossroads of Rock, Country and Soul
Current price: $22.99
Barnes and Noble
Delta Swamp Rock, Vol. 2: More Sounds from the South 1968-75: At the Crossroads of Rock, Country and Soul
Current price: $22.99
Size: OS
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Soul Jazz
's sequel to their successful 2011 set
Delta Swamp Rock
is similarly handsomely packaged and quirkily selected, using the term "swamp rock" as a loose guideline. Like that set,
Delta Swamp Rock, Vol. 2
finds room for Memphis pop that sounds not at all swampy --
Alex Chilton
in both cases, here represented by the slick AM pop of
the Box Tops
' "Deep in Kentucky," which at least sounds soulful, unlike
Big Star
's delicate "13" -- and this unusually opts for a few songs that remain standards on any American classic rock station you may find:
Lynyrd Skynyrd
's "Free Bird,"
Marshall Tucker Band
's "Fire On the Mountain," and
Gregg Allman
's "Midnight Rider." Around these anchors come a variety of gorgeous, lush country-pop crossovers (
Bobbie Gentry
,
Joe South
), Hollywood hucksters (
Cher
covering
Buffalo Springfield
), some old country guys stretching out (
Earl Scruggs
Chet Atkins
&
Jerry Reed
), Nashville guys playing rock (
Area Code 615
Captain Beyond
), blues-rockers playing jazz (
Grinderswitch
), country-rockers doing pop (
), and every now and then a bit of actual swamp rock, thanks to
Tony Joe White
. Of course, this is nothing more than a bit of nitpicking semantics: those who have a real attachment to the sound of swamp rock are the only ones that will gripe about the absence of such here, but what
really does is illustrate the richness of Southern pop and rock in the late '60s and early '70s. This is music that can't be confined to one category -- it's soulful, it's gritty, jazzy, dirty, slick, and funky, sampling from a little bit of all the grand American musical traditions. For those who are unfamiliar with this tradition, this is a great way to get acquainted with '70s Southern rock in all its stripes, while those who know this stuff well will appreciate the idiosyncrasies and occasional obscurity on this fine collection. ~ Stephen Thomas Erlewine
's sequel to their successful 2011 set
Delta Swamp Rock
is similarly handsomely packaged and quirkily selected, using the term "swamp rock" as a loose guideline. Like that set,
Delta Swamp Rock, Vol. 2
finds room for Memphis pop that sounds not at all swampy --
Alex Chilton
in both cases, here represented by the slick AM pop of
the Box Tops
' "Deep in Kentucky," which at least sounds soulful, unlike
Big Star
's delicate "13" -- and this unusually opts for a few songs that remain standards on any American classic rock station you may find:
Lynyrd Skynyrd
's "Free Bird,"
Marshall Tucker Band
's "Fire On the Mountain," and
Gregg Allman
's "Midnight Rider." Around these anchors come a variety of gorgeous, lush country-pop crossovers (
Bobbie Gentry
,
Joe South
), Hollywood hucksters (
Cher
covering
Buffalo Springfield
), some old country guys stretching out (
Earl Scruggs
Chet Atkins
&
Jerry Reed
), Nashville guys playing rock (
Area Code 615
Captain Beyond
), blues-rockers playing jazz (
Grinderswitch
), country-rockers doing pop (
), and every now and then a bit of actual swamp rock, thanks to
Tony Joe White
. Of course, this is nothing more than a bit of nitpicking semantics: those who have a real attachment to the sound of swamp rock are the only ones that will gripe about the absence of such here, but what
really does is illustrate the richness of Southern pop and rock in the late '60s and early '70s. This is music that can't be confined to one category -- it's soulful, it's gritty, jazzy, dirty, slick, and funky, sampling from a little bit of all the grand American musical traditions. For those who are unfamiliar with this tradition, this is a great way to get acquainted with '70s Southern rock in all its stripes, while those who know this stuff well will appreciate the idiosyncrasies and occasional obscurity on this fine collection. ~ Stephen Thomas Erlewine