On
Emperor Tomato Ketchup
,
Stereolab
moved in two directions simultaneously -- it explored funkier dance rhythms while increasing the complexity of its arrangements and compositions. For its follow-up,
Dots and Loops
, the group scaled back its rhythmic experiments and concentrated on layered compositions. Heavily influenced by bossa nova and swinging '60s pop,
is a deceptively light, breezy album that floats by with effortless grace. Even the segmented, 20-minute
"Refractions in the Plastic Pulse"
has a sunny, appealing surface -- it's only upon later listens that the interlocking melodies and rhythms reveal their intricate interplay. In many ways,
is
's greatest musical accomplishment to date, demonstrating remarkable skill -- their interaction is closer to jazz than rock, exploring all of the possibilities of any melodic phrase. Their affection for '60s pop keeps
accessible, even though that doesn't mean it is as immediate as
. In fact, the laid-back stylings of
makes it a little difficult to assimilate upon first listen, but after a few repeated plays, its charms unfold as gracefully as any other
record. ~ Stephen Thomas Erlewine