Mastodon
set the bar high with
Emperor of Sand
. It was written in difficult circumstances emotionally and creatively. Like their first three albums (and unlike their last two), this is a concept album. Its dominant theme is of time running out, and its 11 tracks offer an allegorical story of a man handed a death sentence by a desert sultan. To escape, he flees into the expanse of the geography's emptiness, but the further he goes, the more lost he becomes in the sand as an unrelenting sun begins to claim his energy and ultimately his body -- think radiation poisoning. Desperate, he attempts to communicate telepathically with tribes of various races and historical periods to make rain fall and stop that progression. The concept is poignant: guitarist
Bill Kelliher
's mother passed away from brain cancer in 2016. The music grew out of long jams intended to address his grief and help him heal. The notion of time's eternal passage haunts every song here.
The return to concept is accompanied by the re-enlistment of producer
Brendan O'Brien
(he helmed
Crack the Skye
). In an interview, bassist/vocalist
Troy Sanders
added weight to the expectations for the album: "...17 years in the makingâ?¦it ties into our entire discography." Unlike their other conceptual endeavors (i.e.
Leviathan
)
's narrative is relatively simple. While the conceptual framework harkens back to the early trilogy, the songwriting on this date is more reflective of the integrative styles on
The Hunter
and
Once More 'Round the Sun
. "Sultan's Curse," "Roots Remain," and the anthemic "Clandestiny" all roar with the bone-quaking riffery and roiling drum grooves, offering dynamic harmonic breakdowns, great solo spots, and plenty of fire. Elsewhere, such as on "Show Yourself," "Ancient Kingdom" (both suggesting the influence of late-era
Huesker Due
), and "Andromeda," the focus shifts to hooks and melody first; the punishing riffs and monstrous drum fills are there, but are subservient. The guitar interplay between
Brett Hinds
Kelliher
is, as usual, flawless, and the spastic drum and basswork of the rhythm section remains some of the most expansive in metal. It's almost predictable, but it's not boring, and
's body of work has led listeners to expect it. The eight-minute closer "Jaguar God" develops slowly and methodically from a lament to a dirge to a raging prog metal storm, offering a panoramic example of everything that makes
special.
is not perfect; it doesn't attain the glories of the first trilogy. That said, it's easily on par with
and stronger than
, while being more diverse than any record they've cut. Arguments about quality should go beyond the aesthetics to embody process and honesty, which are what ultimately matters. In order to be true to themselves,
had to make
at this time. There was no other option. As such, its urgency, sophistication, and emotional heft make it a necessary entry in their catalog. ~ Thom Jurek