Through these cinematic experiences, not only cultural norms and presuppositions but also cinematic conventions, and even established philosophical positions, can be interrogated and questioned. explores three films in the light of this new way of thinking about philosophy and film: Jean-Luc Godard’s , Rubin Ötlund’s , and Jonathon Glazer’s . It will be of interest to advanced students and scholars interested in the current debates about the relationship between film and philosophy.