Banjo virtuoso
Alison Brown
, whose primary group is a jazz quartet, returns to her bluegrass roots on this beautiful and exhilarating album. Well, sort of. The instrumental format is certainly bluegrass, given guest artists like
Stuart Duncan
and
Darol Anger
on fiddles, guitarists
Mike Marshall
Tony Rice
, and mandolinist
Sam Bush
, and with
Brown
's fiery five-string picking front and center. But much of this is bluegrass music of a type that
Bill Monroe
might not recognize; while
"Late on Arrival"
is a good old-fashioned
Scruggs
-style banjo showcase and
"Fair Weather"
a modern bluegrass song with all the standard accouterments, the twin mandolins and easy-swinging rhythm of
"Poe's Pickin' Party"
sound kind of like an old-time string band playing turn-of-the-century salon music. And then there are the cover tunes, which include a gently winning rendition of the old
Elvis Costello
hit
"Everyday I Write the Book."
The album's most thrilling moments come on the complex and exhilarating
"Leaving Cottondale,"
which is both one of the prettiest and one of the most technically impressive of
's compositions. Here she's joined by fellow banjo maverick
Bela Fleck
for one of the most jaw-dropping passages of twin-banjo counterpoint ever put on tape. Call it bluegrass, call it newgrass, call it jazzgrass, whatever. This is one of the best albums of 2000 in any genre. ~ Rick Anderson