The third Broadway revival of the 1959 musical
Gypsy
closed on May 30, 2004; the fourth, chronicled on this album, opened on March 27, 2008, a gap of less than four years. Ordinarily, even a perennially popular show like
would be revived on Broadway only, say, once a decade. But few questioned the wisdom of mounting the show again in 2008, and it quickly became a hit before winning three Tony Awards. The reason, simply, is casting. The third revival featured
Bernadette Peters
in the starring role of
Mama Rose
, the maniacal stage mother to the girl who becomes stripper
Gypsy Rose Lee
, a casting decision that some questioned as inappropriate. Quite the opposite was the case with
Patti LuPone
, who plays
here.
LuPone
has made a career of portraying relatively unsympathetic characters, starting with her Tony-winning turn as
Eva Peron
in
Evita
and including
Mrs. Lovett
, baker of the human meatpies in a 2006 Broadway revival of
Sweeney Todd
. In her liner notes to this album,
recounts her agreeing to appear in a 2006 production of
at
the Ravinia Festival
outside Chicago by saying that she knew "there were many people who wanted to see me play the part," a considerable understatement. That performance was followed by one as part of the City Center Encores! series of concert versions of musicals in New York in 2007, and then this production. Although the casting might seem perfect, however,
had to actually go out and make the role her own, and she has, resulting in her second Tony Award. Her
is full of pain and guile as well as bluster, just what the part needs. And, of course, it is sung beautifully. Happily, the star is accompanied by strong supporting performers, including
Boyd Gaines
as
Rose
's romantic interest
Herbie
, and
Laura Benanti
Louise
(aka
), both of whom also took home Tonys. Record producer
Robert Sher
and his associates seem to have realized that, even if
and co. could make theatergoers forget all previous
Gypsys
on-stage, they had to compete with four previous cast albums, not to mention a movie and a TV soundtrack, and they have done so by making this, as the liner notes say, "the most complete recording of
ever." It is, in fact, more than complete in that surviving creators
Arthur Laurents
(who wrote the book) and
Stephen Sondheim
(who wrote the lyrics to
Jule Styne
's music) dug into their trunks and found a batch of cut songs, then had the current cast perform them. These tracks, two versions of
"Mother's Day,"
"Momma's Talkin' Soft"
(a countermelody to
"Small World"
),
"Nice She Ain't,"
"Smile, Girls,"
"Who Needs Him?,"
and
"Three Wishes for Christmas,"
open up the show in interesting ways. In particular,
"Nice She Ain't"
might have given
more to do, if the original actor cast in the part,
Jack Klugman
, had had enough of a singing voice to sing it;
Gaines
does.
"Smile, Girls"
"Who Needs Him?"
are excellent songs, although it's easy to tell why they were cut, since they are essentially redundant in terms of the plot.
"Three Wishes for Christmas"
deserves to join the pantheon of perennially popular holiday songs, and now it may get its chance. With this material, the 2008
is more than just another terrific recording of one of Broadway's best scores. ~ William Ruhlmann