Home
Hearts and Arrows [180 Gram Vinyl]
Barnes and Noble
Hearts and Arrows [180 Gram Vinyl]
Current price: $40.99
Barnes and Noble
Hearts and Arrows [180 Gram Vinyl]
Current price: $40.99
Size: OS
Loading Inventory...
*Product information may vary - to confirm product availability, pricing, shipping and return information please contact Barnes and Noble
Bored of the bearded nu-folk scene and the trendiness that surrounds it, Australian-born singer/songwriter
Danny Wilson
's third album under the guise of
Danny & the Champions of the World
,
Hearts & Arrows
, travels about half a decade ahead of their early-'70s-inspired previous output to the heartland rock of
Bruce Springsteen
's breakthrough era. Having recently recorded the Boss' "Tougher Than the Rest" on a covers EP for Record Store Day, the transition from wistful folk troubadours to full-on checked-shirt rockers might not be as out of the blue as you think, but it's still surprising to see just how much the disc's 11 tracks owe to the blue-collar idol, whether it's the
E Street
-esque saxophone solo on "Brothers in the Night," the "Nebraska" pastiche of "Walk with Me," or the rousing Americana of "You Don't Know (My Heart Is in the Right Place)." Occasionally,
Wilson
and his five-piece backing band, an entirely new lineup from that which recorded 2008's
The Streets of Our Time
, manage to steer themselves away from the tribute act territory long enough to carve out their own identity. "Colonel and the King" combines a gorgeous jangly country guitar riff with a yearning melody perfectly suited to its reflection on the relationship between
Elvis
and his manager, while "Too Tough to Cry," a breakup letter to his former outfit
Grand Drive
, is a beautifully world-weary ballad which showcases
's authentic rootsy vocals at their most heart-achingly raw. But with
Tony Poole
(formerly of '70s band
Starry Eyed & Laughing
) and
Ted Hutt
(from fellow
Springsteen
aficionados
the Gaslight Anthem
) at the helm, the album is never more than five minutes away from another
Born to Run
homage. The unashamedly retro six-piece may be based in London, but
' authentic, vintage New Jersey rock sound ensures that it neatly fills that gap until its obvious influence's next record. But they'll have to give the
lovefest a rest if they are to make any kind of impression of their own next time round. ~ Jon O'Brien
Danny Wilson
's third album under the guise of
Danny & the Champions of the World
,
Hearts & Arrows
, travels about half a decade ahead of their early-'70s-inspired previous output to the heartland rock of
Bruce Springsteen
's breakthrough era. Having recently recorded the Boss' "Tougher Than the Rest" on a covers EP for Record Store Day, the transition from wistful folk troubadours to full-on checked-shirt rockers might not be as out of the blue as you think, but it's still surprising to see just how much the disc's 11 tracks owe to the blue-collar idol, whether it's the
E Street
-esque saxophone solo on "Brothers in the Night," the "Nebraska" pastiche of "Walk with Me," or the rousing Americana of "You Don't Know (My Heart Is in the Right Place)." Occasionally,
Wilson
and his five-piece backing band, an entirely new lineup from that which recorded 2008's
The Streets of Our Time
, manage to steer themselves away from the tribute act territory long enough to carve out their own identity. "Colonel and the King" combines a gorgeous jangly country guitar riff with a yearning melody perfectly suited to its reflection on the relationship between
Elvis
and his manager, while "Too Tough to Cry," a breakup letter to his former outfit
Grand Drive
, is a beautifully world-weary ballad which showcases
's authentic rootsy vocals at their most heart-achingly raw. But with
Tony Poole
(formerly of '70s band
Starry Eyed & Laughing
) and
Ted Hutt
(from fellow
Springsteen
aficionados
the Gaslight Anthem
) at the helm, the album is never more than five minutes away from another
Born to Run
homage. The unashamedly retro six-piece may be based in London, but
' authentic, vintage New Jersey rock sound ensures that it neatly fills that gap until its obvious influence's next record. But they'll have to give the
lovefest a rest if they are to make any kind of impression of their own next time round. ~ Jon O'Brien