Although initially considered a contractually obligated release, when
Here and There
(1976) was upgraded in 1995 as part of
Elton John
's (piano/vocals) "Classic Years" catalog overhaul, it became the most definitive live document to date of his immortal '70s quintet that featured the pianist backed by
Davey Johnstone
(guitar/backing vocals),
Dee Murray
(bass/backing vocals),
Nigel Olsson
(drums), and
Ray Cooper
(percussion). What was originally a single vinyl long-player was expanded to nearly two hours and 20 minutes, spread over two CDs. The "Here" show was recorded at an Invalid Children's Aid Society Benefit at
Royal Festival Hall
in London on May 18, 1974.
John
begins with a pair of early solo numbers before being joined by the band for inspired readings of hits such as the rousing
"Take Me to the Pilot"
and
"Crocodile Rock"
as well as the equally integral deep cuts
"Bad Side of the Moon"
and a very special version of the
ballad
"Love Song"
-- featuring a rare duet with the song's author and original co-vocalist
Leslie Duncan
(vocals). Another real treat is the funky and loose rendering of
"Honky Cat"
with some interesting interaction between
Cooper
. Six months later
and company hit
Madison Square Garden
in New York City for a series of shows over Thanksgiving weekend. In acknowledgement of a wager set forth between
John Lennon
that stated, if the duo's single
"Whatever Gets You Thru the Night"
from
Lennon
's
Walls and Bridges
(1974) album topped the singles chart,
would join
Elton
on-stage for a few numbers. Needless to say the song bound to the number one position, and the stage was literally set for the very first live appearance from
in two years -- which would ironically and tragically likewise be the last he would ever give. Immediately differentiating the "There" show is the comparatively massive audience. This show is as much about spectacle (1974 style) as it is about music. Not that the music suffers in the least. Although
's voice has sounded better, the band are in top form as they rant and rave through the blistering
"Funeral for a Friend/Love Lies Bleeding"
opener. Among the surprises are the romping live versions of
"Grey Seal"
"You're So Static."
However, the unmitigated highlight is
's surprise three-song guest shot. Both legends perform their latest singles -- for
it is the aforementioned
and for
it is the non-LP cover of
"Lucy in the Sky With Diamonds"
-- both of which are quite powerful in terms of sheer vibe. Their finale of
"I Saw Her Standing There"
is ragged-but-right with
Johnstone
cleverly quoting
"I Feel Fine"
during the bridge from the verse to the chorus. While the remainder of the set hold its own, it pales in the wake of the preceding momentous performance. This should be considered essential listening for enthusiasts as well as curious music historians. ~ Lindsay Planer