As strong as 's self-titled solo debut was, his second album, 1978's , actually managed to top it, and the album remains one of the great creative triumphs of the Texas community, as well as a high-water mark in 's career. Displaying a very Texan sense of eclecticism, 's ten tunes run the gamut from beer-stained weepers (the title cut) and late-night declarations of loneliness ( ) to barrelhouse ( ) and dance numbers ( and ), and 's simple but expressive delivery makes the most of every song he sings. 's band deserves a special nod as well, especially steel guitarist on accordion, who can seemingly conjure up an orchestra or a horn section at will. And as strong as 's songs are, he has the good sense to also accept contributions from fellow ex- , whose more introspective lyrical approach makes for a satisfying contrast to 's more down to earth style. Smart without sounding pretentious, and musically ambitious without losing focus or drive, is a superb album that captures and his band at their best. ~ Mark Deming