Ranking Toyan
was already an established hitmaker by the time he linked up with producer
Henry "Junjo" Lawes
in 1981. Leaping from the sound systems to the studio, the DJ cut a string of popular singles initially for
Don Mais
and the
Hoo Kim
brothers, and by the end of '70s and early '80s many more producers as well. Meanwhile,
Lawes
was swiftly toppling the competition and setting himself up as the premier producer on the island, powered by the phenomenal riddims laid down by his studio band
the Roots Radics
. However,
handled
Toyan
's album a bit differently than usual, though, allowing the tracks to bleed straight into each other, thus evoking the feel of a live sound system set. But that was after the fact, and thus doesn't explain the DJ's ferocious performances within, overall his best work from the period. It may be simply due to his excitement at working with
or the sizzling riddims he was handed. These include
Johnny Osbourne
's
"Ice Cream Loves"
(
"Children Children"
),
the Wailing Souls
'
"Bandits Taking Over"
"Capital Offence"
) and
Michael Prophet
"Gunman"
(the title track). The latter, an homage to the western, was initially released on 45, its popularity inevitably led to this full-length, with most everything included of similar high standards. And whether commentating on the boxing match between Dread and Baldhead on
"Big Showdown,"
paying his respects to the late
General Echo
on
"Tribute Entertainer,"
urging revolution on
"Capital Offence,"
pushing the
"Pope in a Di Corner,"
or even spouting nursery rhymes
"Children Children,"
delivered the goods every time. Detractors found the DJ's style too derivative, but on this set its allure, especially live, was obvious, and
played his part in insuring that
"Reggae Gone International."
The CD reissue appends a clutch more period cuts to the set, adding further value for money.
never quite reached top-ranking status, regardless of his moniker, but
How the West Was Won
finds him at the top of his game regardless. ~ Jo-Ann Greene