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I Hold a Wolf by the Ears: Stories
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I Hold a Wolf by the Ears: Stories
Current price: $19.99
Barnes and Noble
I Hold a Wolf by the Ears: Stories
Current price: $19.99
Size: Audio CD
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ONE OF
TIME
'S 10 BEST FICTION BOOKS OF 2020. Longlisted for the Joyce Carol Oates Prize. Named a Best Book of 2020 by NPR,
Bustle,
Good Housekeeping
, the New York Public Library,
Library Journal
,
Lit Hub
Electric Literature,
and
Tor.com
"As enchanting as fairy tales, as mysterious as dreams, these exquisitely composed fictions are as urgent and original as any being written today.” —Sigrid Nunez, author of
The Friend
, winner of the 2018 National Book Award for Fiction
An urgent and unsettling collection of women on the verge from Laura van den Berg, author of
The Third Hotel
I Hold a Wolf by the Ears
, Laura van den Berg’s first story collection since her prizewinning book
The Isle of Youth
, draws readers into a world of wholly original, sideways ghost stories that linger in the mouth and the mind. Both timeless and urgent, these eleven stories confront misogyny, violence, and the impossible economics of America with van den Berg’s trademark spiky humor and surreal eye. Moving from the peculiarities of Florida to liminal spaces of travel in Mexico City, Sicily, and Iceland,
is uncannily attuned to our current moment, and to the fears we reveal to no one but ourselves.
In “Lizards,” a man mutes his wife’s anxieties by giving her a LaCroix-like seltzer laced with sedatives. In the title story, a woman poses as her more successful sister during a botched Italian holiday, a choice that brings about strange and destructive consequences, while in “Karolina,” a woman discovers her prickly ex-sister-in-law in the aftermath of an earthquake and is forced to face the truth about her violent brother.
presents a collection of women on the verge, trying to grasp what’s left of life: grieving, divorced, and hyperaware, searching, vulnerable, and unhinged, they exist in a world that deviates from our own only when you look too closely. With remarkable control and transcendent talent, van den Berg dissolves, in the words of the narrator of “Slumberland,” “that border between magic and annihilation,” and further establishes herself as a defining fiction writer of our time.
TIME
'S 10 BEST FICTION BOOKS OF 2020. Longlisted for the Joyce Carol Oates Prize. Named a Best Book of 2020 by NPR,
Bustle,
Good Housekeeping
, the New York Public Library,
Library Journal
,
Lit Hub
Electric Literature,
and
Tor.com
"As enchanting as fairy tales, as mysterious as dreams, these exquisitely composed fictions are as urgent and original as any being written today.” —Sigrid Nunez, author of
The Friend
, winner of the 2018 National Book Award for Fiction
An urgent and unsettling collection of women on the verge from Laura van den Berg, author of
The Third Hotel
I Hold a Wolf by the Ears
, Laura van den Berg’s first story collection since her prizewinning book
The Isle of Youth
, draws readers into a world of wholly original, sideways ghost stories that linger in the mouth and the mind. Both timeless and urgent, these eleven stories confront misogyny, violence, and the impossible economics of America with van den Berg’s trademark spiky humor and surreal eye. Moving from the peculiarities of Florida to liminal spaces of travel in Mexico City, Sicily, and Iceland,
is uncannily attuned to our current moment, and to the fears we reveal to no one but ourselves.
In “Lizards,” a man mutes his wife’s anxieties by giving her a LaCroix-like seltzer laced with sedatives. In the title story, a woman poses as her more successful sister during a botched Italian holiday, a choice that brings about strange and destructive consequences, while in “Karolina,” a woman discovers her prickly ex-sister-in-law in the aftermath of an earthquake and is forced to face the truth about her violent brother.
presents a collection of women on the verge, trying to grasp what’s left of life: grieving, divorced, and hyperaware, searching, vulnerable, and unhinged, they exist in a world that deviates from our own only when you look too closely. With remarkable control and transcendent talent, van den Berg dissolves, in the words of the narrator of “Slumberland,” “that border between magic and annihilation,” and further establishes herself as a defining fiction writer of our time.