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I Just Can't Stop It
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I Just Can't Stop It
Current price: $12.79
Barnes and Noble
I Just Can't Stop It
Current price: $12.79
Size: CD
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I Just Can't Stop It
was a late arrival onto the checker- boarded scene,
the Specials
,
Madness
and
the Selecter
had all beat
the (English) Beat
to the punch, but luckily this wasn't a race. Besides, the band had already primed the pump with a trio of Top 10 singles -- the double A-sided
"Tears of a Clown"
/
"Ranking Full Stop,"
"Hands Off She's Mine"
"Mirror in the Bathroom,"
their debut album followed hard on
"Mirror"
's heels, picking up the latter two songs and
"Full Stop"
to boot. Two more of the tracks within set followed them onto the chart, later that summer on another double A-sided single --
"Best Friend"
coupled with a
dub
version of
"Stand Down Margaret"."
So this was a hit filled set. And so popular were such songs as
"Rough Rider,"
"Twist and Crawl,"
"Can't Get Used to Losing You,"
"Whine & Grine,"
becoming such staples, that fans can be forgiven for assuming they too were released on 45. Intriguingly,
"Losing You"
came courtesy of
Andy Williams
, and highlighted the softer styling that would swiftly overtake
the Beat
. But
"Rough"
"Whine"
had solid
ska
credentials, both were
Prince Buster
hits, while
"Jackpot"
was one of slew of racing themed rocksteady smashes that drove
The Pioneers
too fame,
The Specials
had opened their own account with another -
"Longshot Kick the Bucket"."
And it was this sheer diversity of influences that set
The Beat
's sound apart from their compatriots. Their own compositions were heavily cultural in theme -- the radical cries to depose the prime minister on
"Margaret,"
the slashing anti-violence of
"Two Swords"
and even more ominous and feverish
"Click Click,"
through the cultural nihilism of
itself. With a few softer love and lovelorn tracks taking some of the edge off.
Stop
was a stunning achievement, its driving, frenetic numbers grounded in
punk
's fury smashing into the loose-limbed grooves and melodies of
rocksteady
inspired songs, and banging head on into sweeter
pop
fueled pieces. The album remained on the British charts for a whopping eight months, eventually peaking at Number Three. Time has not diminished its glory, the songs remain hugely as their continued inclusion in the band's offshoot's repertoire have proved. ~ Jo-Ann Greene
was a late arrival onto the checker- boarded scene,
the Specials
,
Madness
and
the Selecter
had all beat
the (English) Beat
to the punch, but luckily this wasn't a race. Besides, the band had already primed the pump with a trio of Top 10 singles -- the double A-sided
"Tears of a Clown"
/
"Ranking Full Stop,"
"Hands Off She's Mine"
"Mirror in the Bathroom,"
their debut album followed hard on
"Mirror"
's heels, picking up the latter two songs and
"Full Stop"
to boot. Two more of the tracks within set followed them onto the chart, later that summer on another double A-sided single --
"Best Friend"
coupled with a
dub
version of
"Stand Down Margaret"."
So this was a hit filled set. And so popular were such songs as
"Rough Rider,"
"Twist and Crawl,"
"Can't Get Used to Losing You,"
"Whine & Grine,"
becoming such staples, that fans can be forgiven for assuming they too were released on 45. Intriguingly,
"Losing You"
came courtesy of
Andy Williams
, and highlighted the softer styling that would swiftly overtake
the Beat
. But
"Rough"
"Whine"
had solid
ska
credentials, both were
Prince Buster
hits, while
"Jackpot"
was one of slew of racing themed rocksteady smashes that drove
The Pioneers
too fame,
The Specials
had opened their own account with another -
"Longshot Kick the Bucket"."
And it was this sheer diversity of influences that set
The Beat
's sound apart from their compatriots. Their own compositions were heavily cultural in theme -- the radical cries to depose the prime minister on
"Margaret,"
the slashing anti-violence of
"Two Swords"
and even more ominous and feverish
"Click Click,"
through the cultural nihilism of
itself. With a few softer love and lovelorn tracks taking some of the edge off.
Stop
was a stunning achievement, its driving, frenetic numbers grounded in
punk
's fury smashing into the loose-limbed grooves and melodies of
rocksteady
inspired songs, and banging head on into sweeter
pop
fueled pieces. The album remained on the British charts for a whopping eight months, eventually peaking at Number Three. Time has not diminished its glory, the songs remain hugely as their continued inclusion in the band's offshoot's repertoire have proved. ~ Jo-Ann Greene