I Want You
, while it a Top Ten smash for
Marvin Gaye
in 1976, is not as generally as well-known as its predecessors for several reasons. First, it marked a sharp change in direction, leaving his trademark
Motown
soul
for lush, funky, breezy
disco
. Secondly, its subject matter is as close to explicit as
pop
records got in 1976. Third,
Gaye
hadn't recorded in nearly three years and critics were onto something else -- exactly what, in retrospect is anybody's guess. From the amazing
Ernie Barnes
cover painting "Back to Sugar Shack" to the
Coleridge-Taylor Perkinson
string and horn arrangements to
Leon Ware
's exotic production that relied on keyboards as well as drums and basses as rhythm instruments,
was a giant leap for
. The feel of the album was one of late-night parties in basements and small clubs, and the intimacy of the music evokes the image of people getting closer as every hour of a steamy night wears on. But the most astonishing things about
are its intimacy (it was dedicated to and recorded in front of
's future second wife,
Jan
), silky elegance, and seamless textures.
worked with producer
, who wrote all of the original songs on the album and worked with
to revise them, thus lending
a co-writing credit. The title track is a monster two-step groover with hand percussion playing counterpoint to the strings and horns layered in against a spare electric guitar solo, all before
begins to sing on top of the funky backbeat. It's a party anthem to be sure, and one that evokes the vulnerability that a man in love displays when the object of his affection is in plain sight.
Art Stewart
's engineering rounds off all the edges and makes
's already sweet crooning instrument into the true grain in the voice of seductive need.
"Feel All My Love Inside"
and
"I Want to Be Where You Are"
are anthems to sensuality with strings creeping up under
's voice as the guitars move through a series of chunky changes and drums punctuate his every syllable. In all, the original album is a suite to the bedroom, one in which a man tells his woman all of his sexual aspirations because of his love for her. The entire album has been referenced by everyone from
Mary J. Blige
to
D'Angelo
Chico DeBarge
and even
Todd Rundgren
, who performed the title track live regularly. By the time it is over, the listener should be a blissed-out, brimming container for amorous hunger.
and its companion,
Ware
's
Musical Massage
, are the pre-eminent early
concept albums. They are adult albums about intimacy, sensuality, and commitment, and decades later they still reverberate with class, sincerity, grace, intense focus, and astonishingly good taste.
is as necessary as anything
ever recorded. ~ Thom Jurek