The
Glass Farm Ensemble
, a chamber music group formed by relatively young musicians, boasts an unusual instrumentation: saxophone (soprano, tenor or baritone, according to the score's requirements), electric guitar, percussion, and piano. This lineup came about because of
Louis Andriessen
's 1991 piece
"Hout,"
which appropriately opens
In Four
, the group's first recording.
"Hout"
is a fun, intricate weaving of four distinct yet related melodies with a strong rhythmic drive, and the
pulls it off gracefully and lightly. The other four pieces on the CD are all premiere recordings. One comes from the ensemble's inner circle: pianist
Yvonne Troxler
's three-part
"Kaleidoskop,"
sadly a little too like
to make a mark right after
Andriessen
's work.
Peter Herbert
's
"Deafening Silence"
kicks off with a few loud guitar chords, hinting at a rock format that will never really crystallize, although things will get very beat-driven, with percussionist
Matthew Gold
playing the drum kit. Sadly, the kit is recorded classical orchestra-style, which robs the piece of its "oomph" factor. That rock element is better treated in
Wolfgang Heiniger
"In Four,"
which calls for an extended drum kit, potent electric guitar, and tutti half-note runs reminiscent of Rock in Opposition groups like
Henry Cow
or "musique actuelle" artists like
Rene Lussier
. Stylistically,
draws favorable comparisons to
Bang on a Can All-Stars
. It can appeal to fans of avant-prog and contemporary music with a rock edge, although
would never be mistaken for a rock band. ~ Francois Couture