After playing in a succession of noise pop bands and making her own very good noise pop record (2010's
Frankie Rose and the Outs
)
Frankie Rose
decided to make a change. She chucked out the echoing drums, the surf guitars, and the wall of reverb-soaked vocals, and with the help of producer
Le Chev
(a onetime member of
Fischerspooner
), set about giving her sound an overhaul. On 2012's
Interstellar
, there is barely any noise to be found; instead it's got a cleaned up sound with plenty of space between instruments, lots of shiny synths, and an overall sonic power that her debut only hinted at. There is less of a '60s pop and girl group influence to the songs this time out, too. Instead, she dips heavily into the classic synth pop of the '80s and there are heavy strands of
New Order
and
the Human League
running through the record. This kind of process of stepping away from the noisy sound she began with has sunk many of
Rose
's contemporaries as the newly slicked-up sound exposes the weaknesses of their songs or the underlying flaws in their approach. Quite the opposite occurs on
, the songs are more emotionally powerful and melodically pleasing than those on her debut, alternating between gently rocking midtempo tracks and angelic ballads that show a strong
Arthur Russell
influence in their looping, heavenly beauty (especially the cello-heavy "The Fall.")
's sweet and clear vocals are a perfect fit with the former tracks; she has enough of a tender bite in her voice to keep excitement levels high, and songs like "Know Me" and "Night Swim" are perfect examples of how to clean up your sound without sacrificing an ounce of quality. She really shows something special on the ballads, though, investing songs like "Pair of Wings" and "Apples for the Sun" with an open-hearted grace and power that lots of "real" singers wish they had. On these tracks and the rest of the album,
doesn't hide behind noise or production tricks. It's an honest record, stripped of artifice, and it will hit you hard if you give it a chance. Much respect to
for taking a chance that could have alienated her fan base, even more respect for making a record that builds on the strengths of her debut and spins it out to the heavens, a place where few of her fellow bands will ever find themselves. ~ Tim Sendra