pushes far beyond the acoustic jazz he is known for on 2022's prog rock-inspired . Even with his past forays into classical and exploratory jazz, the pianist's choice to dip into the kinetic '70s and '80s rock of bands like (he reworks several of their songs here) is an unexpected and eyebrow-raising move. That said, has explored pop/rock songs in the past, famously applying his deeply introspective and harmonically nuanced style to tracks by , , and other iconic bands. While continues this iconoclastic trajectory, it is much more than an intriguing covers album, as weaves together several finely curated cover songs with his own ambitious compositions, including two classical-influenced three-part suites. There's also a deeply philosophical bent to the record that's centered around 's feelings about God and spirituality. Along the way, he showcases a handful of equally boundary-pushing performers including vocalist , saxophonist , and singer/mandolinist , the latter of whom joins for a particularly faithful rendition of 's "Tom Sawyer." Though piano remains 's primary instrument of choice here, he also plays a variety of analog synths, including Moogs, Korgs, and other sundry electric instruments. Of his original songs on the album, "Herr und Knecht" is perhaps the most prog-sounding, built around a heavy bass-and-drum groove in an odd time signature that accents with fuzzy, laser-tone synths. More atmospheric is "Vou correndo te encontrar/Racecar," a melodic, Brazilian-inflected reworking of 's "Racecar" that magically straddles the line between the languid '70s work of and the shimmering style of . ~ Matt Collar