This is not the
Roedelius
album you would expect, and it does not mean anything bad; on the contrary.
Hans-Joachim Roedelius
' second solo album is so simple and pretty that it stands out from his vast oeuvre, a little like
Asmus Tietchens
' early
Sky
LPs were light years away from his later output (incidentally,
Tietchens
penned the liner notes for the 2009 reissue).
Jardin au Fou
("Fool's Garden") consists in ten short pieces, almost like vignettes: very tuneful and dancing (even the slow-paced ones), humble too. The synthesizer opener,
"Fou Fou,"
is a simple melody set to a bare-bone left-hand accompaniment.
"Toujours"
is a delicate piano piece -- you would never guess that the mastermind of Krautrock, the driving force behind the bands
Cluster
and
Harmonia
, is its composer and performer. The same applies to
"Etoiles,"
a pretty music box-like tune that falls somewhere between
Edgar Froese
and early
Jean-Michel Jarre
. As for
"Rue Fortune"
(reprised in
"Final"
), its barrel organ-like motif could have been foretelling the advent of
Sagor & Swing
, with a hint of Krautrock in its repetitiveness. Taken as a whole, the album showcases
' versatility as a composer and virtuosity as a performer. It also features his introspective side, something that was new to his listeners back in 1979 and, even today, could be disregarded as new agey stuff. Yet, enough electro-pop artists have sailed that sea since to bestow a cult status on this album, whose influence has been pernicious over the years. The Japanese label
Captain Trip
reissued the LP on CD in 1998, adding three remixes (
"Le Jardin,"
) and three brand new tracks that, if they have a more contemporary sound, still reflect the style and intent of the original set. The more global 2009 reissue from
Bureau B
also includes those bonus tracks. ~ Francois Couture