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Last Chance to Dance
Barnes and Noble
Last Chance to Dance
Current price: $22.99
Barnes and Noble
Last Chance to Dance
Current price: $22.99
Size: OS
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The sad truth is, not all
Ramones
are created equal. Everyone loved
Joey
the sweet, goofy misfit and
Dee Dee
the endearing screw-up, and they respected
Johnny
, the taskmaster who kept them in line and made the band into a well-oiled machine. But what about those who served in the later lineups of the band?
C.J. Ramone
played bass with
the Ramones
after
left in 1989, and was with them until they played their last show in 1996, but even though he did his share to keep the band rolling in their final years, his name doesn't pop up often when folks celebrate the key members of the legendary punk trailblazers. But
clearly learned a lot in his seven years with
, and his second solo album, 2014's
Last Chance to Dance
, demonstrates that he can write and play songs full of
' trademark virtues -- simple but ear-tickling hooks, speedy yet navigable tempos, straightforward storytelling, and a ready supply of energy that gives the songs force as well as a sense of fun.
C.J.
knows how to put together a
tune, but even though
honors the sound and style of his old band,
gives this music a bit of his own personality, and there's a greater pop lilt in numbers like "Understand Me" and the title cut than one might expect, while "Clusterfuck" is a dose of proto-hardcore that's harder and faster than what
delivered. And while it's true that
and
had a fondness for military themes, "Grunt," "Won't Stop Swinging," and "Mr. Kalashnikov" are the work of a guy who actually served in the Marines, and the songs have a personal tone and a dash of dark wit that's effective. And while galloping drums and heavy guitar downstrokes dominate these songs,
is willing to fancy things up a bit with occasional guitar solos and some acoustic guitar overdubs for texture, and his band -- with
Dan Root
Steve Soto
of
the Adolescents
on guitars and
David Hidalgo, Jr.
from
Social Distortion
on drums -- is tight, energetic, and unfailingly rocking.
is a good, satisfying blast of meaty, straightforward punk rock, and
does right by his surname on this album. He may not be your favorite
Ramone
, but he's made a better solo album than most of his former bandmates have delivered. ~ Mark Deming
Ramones
are created equal. Everyone loved
Joey
the sweet, goofy misfit and
Dee Dee
the endearing screw-up, and they respected
Johnny
, the taskmaster who kept them in line and made the band into a well-oiled machine. But what about those who served in the later lineups of the band?
C.J. Ramone
played bass with
the Ramones
after
left in 1989, and was with them until they played their last show in 1996, but even though he did his share to keep the band rolling in their final years, his name doesn't pop up often when folks celebrate the key members of the legendary punk trailblazers. But
clearly learned a lot in his seven years with
, and his second solo album, 2014's
Last Chance to Dance
, demonstrates that he can write and play songs full of
' trademark virtues -- simple but ear-tickling hooks, speedy yet navigable tempos, straightforward storytelling, and a ready supply of energy that gives the songs force as well as a sense of fun.
C.J.
knows how to put together a
tune, but even though
honors the sound and style of his old band,
gives this music a bit of his own personality, and there's a greater pop lilt in numbers like "Understand Me" and the title cut than one might expect, while "Clusterfuck" is a dose of proto-hardcore that's harder and faster than what
delivered. And while it's true that
and
had a fondness for military themes, "Grunt," "Won't Stop Swinging," and "Mr. Kalashnikov" are the work of a guy who actually served in the Marines, and the songs have a personal tone and a dash of dark wit that's effective. And while galloping drums and heavy guitar downstrokes dominate these songs,
is willing to fancy things up a bit with occasional guitar solos and some acoustic guitar overdubs for texture, and his band -- with
Dan Root
Steve Soto
of
the Adolescents
on guitars and
David Hidalgo, Jr.
from
Social Distortion
on drums -- is tight, energetic, and unfailingly rocking.
is a good, satisfying blast of meaty, straightforward punk rock, and
does right by his surname on this album. He may not be your favorite
Ramone
, but he's made a better solo album than most of his former bandmates have delivered. ~ Mark Deming