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Lay This Burden Down: The Very Best of Mary Love
Barnes and Noble
Lay This Burden Down: The Very Best of Mary Love
Current price: $13.99
Barnes and Noble
Lay This Burden Down: The Very Best of Mary Love
Current price: $13.99
Size: OS
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Replacing
Ace
's previous 1994 collection
Then & Now
, which split the difference between
Mary Love
's
Modern
sides from the '60s and recently recorded spiritual material from the '80s and '90s, the 2014 collection is certainly a better showcase for
Love
's talents, as it concentrates on material made for
,
Josie
Elco
, and
Generation
between 1965-1975, adding two 1977 selections for
Magic Disc
and two cuts apiece from 1987 and 1994. Unlike
, which hopscotched between the decades, this is sequenced chronologically, so it's possible to hear her progress from a starlet groomed in the vein of
Motown
to a bunch of other similar-sounding uptown pop-soul before she dabbled in smooth soul at the conclusion of the '70s and then turned to brittle-sounding contemporary gospel. In every setting,
acquits herself well, if not with particular distinction. Depending on the setting, she can sound a bit like
Mary Wells
or
Barbara Lewis
, and when teamed with the right song or even production, the results are pleasing; this is especially true of the
sides, some of which have become Northern soul favorites. Generally, though, this is amiable period soul that has all the comforting hallmarks of an era without being memorable. ~ Stephen Thomas Erlewine
Ace
's previous 1994 collection
Then & Now
, which split the difference between
Mary Love
's
Modern
sides from the '60s and recently recorded spiritual material from the '80s and '90s, the 2014 collection is certainly a better showcase for
Love
's talents, as it concentrates on material made for
,
Josie
Elco
, and
Generation
between 1965-1975, adding two 1977 selections for
Magic Disc
and two cuts apiece from 1987 and 1994. Unlike
, which hopscotched between the decades, this is sequenced chronologically, so it's possible to hear her progress from a starlet groomed in the vein of
Motown
to a bunch of other similar-sounding uptown pop-soul before she dabbled in smooth soul at the conclusion of the '70s and then turned to brittle-sounding contemporary gospel. In every setting,
acquits herself well, if not with particular distinction. Depending on the setting, she can sound a bit like
Mary Wells
or
Barbara Lewis
, and when teamed with the right song or even production, the results are pleasing; this is especially true of the
sides, some of which have become Northern soul favorites. Generally, though, this is amiable period soul that has all the comforting hallmarks of an era without being memorable. ~ Stephen Thomas Erlewine