In this study, Mark Parker argues that magazines such as the London Magazine and Blackwood's Edinburgh Magazine offered an innovative and collaborative space for writers and their work—indeed, magazines became one of the preeminent literary forms of the 1820s and 1830s. Examining the dynamic relationship between literature and culture that evolved within this context, Literary Magazines and British Romanticism claims that writing in such a setting enters into a variety of alliances with other contributions and with ongoing institutional concerns that give subtle inflection to its meaning.