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Love Actually [Original Motion Picture Soundtrack]
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Love Actually [Original Motion Picture Soundtrack]
Current price: $12.99
![Love Actually [Original Motion Picture Soundtrack]](https://prodimage.images-bn.com/pimages/0888751062924_p0_v2_s600x595.jpg)
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Love Actually [Original Motion Picture Soundtrack]
Current price: $12.99
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Size: CD
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The ueber-romantic comedy
Love Actually
has an ueber-romantic comedy soundtrack to match, collecting love songs old and new as well as sassy and empowering tunes.
Kelly Clarkson
's "The Trouble With Love Is" manages to be romantic, sassy, and empowering all at once, with her vocals reflecting their urban ballad surroundings. An emphasis on songs from British artists, such as
Sugababes
' "Too Lost in You" and
Texas
' "I'll See It Through" keep the soundtrack from becoming too predictable. Even the older songs that appear here aren't the usual suspects, although
the Beach Boys
' "God Only Knows" is certainly one of the most romantic songs of the last four decades. This song, along with
the Pointer Sisters
' "Jump (For My Love)," are both welcome surprises.
Lynden David Hall
's cover of "All You Need Is Love," however, falls into most of the cliches that surround rom-com music: it's sappy, drawn out, and ends up feeling almost disrespectful of the original song. Similarly,
Joni Mitchell
's orchestral update of her classic ballad "Both Sides Now" ends up feeling ponderous instead of ethereally lovely.
Norah Jones
' "Turn Me On" and
Eva Cassidy
's "Songbird" are archetypal examples of the pretty, understated, slightly too polished ballads that proliferate on this kind of soundtrack. Still,
Otis Redding
's "White Christmas," included as a bonus track, is almost worth the price of admission. While
is actually far from a perfect collection of love songs, the soundtrack is pleasant enough that fans of the film will probably enjoy it on its own. ~ Heather Phares
Love Actually
has an ueber-romantic comedy soundtrack to match, collecting love songs old and new as well as sassy and empowering tunes.
Kelly Clarkson
's "The Trouble With Love Is" manages to be romantic, sassy, and empowering all at once, with her vocals reflecting their urban ballad surroundings. An emphasis on songs from British artists, such as
Sugababes
' "Too Lost in You" and
Texas
' "I'll See It Through" keep the soundtrack from becoming too predictable. Even the older songs that appear here aren't the usual suspects, although
the Beach Boys
' "God Only Knows" is certainly one of the most romantic songs of the last four decades. This song, along with
the Pointer Sisters
' "Jump (For My Love)," are both welcome surprises.
Lynden David Hall
's cover of "All You Need Is Love," however, falls into most of the cliches that surround rom-com music: it's sappy, drawn out, and ends up feeling almost disrespectful of the original song. Similarly,
Joni Mitchell
's orchestral update of her classic ballad "Both Sides Now" ends up feeling ponderous instead of ethereally lovely.
Norah Jones
' "Turn Me On" and
Eva Cassidy
's "Songbird" are archetypal examples of the pretty, understated, slightly too polished ballads that proliferate on this kind of soundtrack. Still,
Otis Redding
's "White Christmas," included as a bonus track, is almost worth the price of admission. While
is actually far from a perfect collection of love songs, the soundtrack is pleasant enough that fans of the film will probably enjoy it on its own. ~ Heather Phares
The ueber-romantic comedy
Love Actually
has an ueber-romantic comedy soundtrack to match, collecting love songs old and new as well as sassy and empowering tunes.
Kelly Clarkson
's "The Trouble With Love Is" manages to be romantic, sassy, and empowering all at once, with her vocals reflecting their urban ballad surroundings. An emphasis on songs from British artists, such as
Sugababes
' "Too Lost in You" and
Texas
' "I'll See It Through" keep the soundtrack from becoming too predictable. Even the older songs that appear here aren't the usual suspects, although
the Beach Boys
' "God Only Knows" is certainly one of the most romantic songs of the last four decades. This song, along with
the Pointer Sisters
' "Jump (For My Love)," are both welcome surprises.
Lynden David Hall
's cover of "All You Need Is Love," however, falls into most of the cliches that surround rom-com music: it's sappy, drawn out, and ends up feeling almost disrespectful of the original song. Similarly,
Joni Mitchell
's orchestral update of her classic ballad "Both Sides Now" ends up feeling ponderous instead of ethereally lovely.
Norah Jones
' "Turn Me On" and
Eva Cassidy
's "Songbird" are archetypal examples of the pretty, understated, slightly too polished ballads that proliferate on this kind of soundtrack. Still,
Otis Redding
's "White Christmas," included as a bonus track, is almost worth the price of admission. While
is actually far from a perfect collection of love songs, the soundtrack is pleasant enough that fans of the film will probably enjoy it on its own. ~ Heather Phares
Love Actually
has an ueber-romantic comedy soundtrack to match, collecting love songs old and new as well as sassy and empowering tunes.
Kelly Clarkson
's "The Trouble With Love Is" manages to be romantic, sassy, and empowering all at once, with her vocals reflecting their urban ballad surroundings. An emphasis on songs from British artists, such as
Sugababes
' "Too Lost in You" and
Texas
' "I'll See It Through" keep the soundtrack from becoming too predictable. Even the older songs that appear here aren't the usual suspects, although
the Beach Boys
' "God Only Knows" is certainly one of the most romantic songs of the last four decades. This song, along with
the Pointer Sisters
' "Jump (For My Love)," are both welcome surprises.
Lynden David Hall
's cover of "All You Need Is Love," however, falls into most of the cliches that surround rom-com music: it's sappy, drawn out, and ends up feeling almost disrespectful of the original song. Similarly,
Joni Mitchell
's orchestral update of her classic ballad "Both Sides Now" ends up feeling ponderous instead of ethereally lovely.
Norah Jones
' "Turn Me On" and
Eva Cassidy
's "Songbird" are archetypal examples of the pretty, understated, slightly too polished ballads that proliferate on this kind of soundtrack. Still,
Otis Redding
's "White Christmas," included as a bonus track, is almost worth the price of admission. While
is actually far from a perfect collection of love songs, the soundtrack is pleasant enough that fans of the film will probably enjoy it on its own. ~ Heather Phares
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