Early into it, seems to have the makings of the first concept album by Australia's premier hardcore avant-soul/jazz/funk/hip-hop band. "Dreamboat," a grand intro with harp, piano, and voice, could be interpreted as 's "Lovely Sky Boat," about a vessel -- not necessarily a romantic interest -- that enables dynamic-as-ever singer/guitarist and the preternatural rhythm section of , , and to travel the spaceways. It leads to "Telescope," a glimmering groove of interstellar wonderment where everything apart from an interpolation of ' "My Girl" seems otherworldly. The following "Make Friends," however, departs from any perceptible sci-fi narrative with praising a he, a she, and a they for being down-to-earth companions. For its high number of pleasurable components and intricacies, -worthy changes in key and tempo, and philosophical goodwill, "Make Friends" is the band's new creative apex. 's morphing into a one-woman seals it at the end. Earthly delights are elsewhere in the optimistic and elated "Everything's Beautiful," one of several songs that both references the sun and incorporates flute and harp, and on the lysergic -fied funk of "Dimitri," though that could be set in the Land of Oz. (And who knows what means when she proclaims, "We are all amputees of our divination"?) Surprises and oddities flourish. Almost a decade after the band started playing it live, "Cinnamon Temple," a spasmodic eruption of technical life metal with "Fuck it up, buttercup" spit out like an affectionate battle mantra, is finally nailed down for posterity. "Longcat" pays swirling tribute to a toy cat the band bought at a rest stop in Japan. Everyone's favorite multi-hyphenate robot, BMO of Adventure Time, introduces "Everything's Beautiful" by singing its hook. The band finishes off the album by following "Cinnamon Temple" with a raucous remake of 's "White Rabbit" that shoves the acid rock classic in front of a fun house mirror. Increased chaos and whimsy only heighten 's ability to enchant and exhilarate. ~ Andy Kellman