Precocious Brit
Florence Welch
fired a bullet into the head of the U.K. music scene in 2008 with the single
"Kiss with a Fist,"
a punk-infused, perfectly juvenile summer anthem that had critics wiping the names
Lily Allen
,
Amy Winehouse
, and
Kate Nash
from their vocabularies and replacing them with
Florence + the Machine
. While the comparisons were apt at the time,
"Kiss with a Fist"
turned out to be a red herring in the wake of the release of
Lungs
, one of the most musically mature and emotionally mesmerizing albums of 2009. With an arsenal of weaponry that included the daring musicality of
Kate Bush
, the fearless delivery of
Sinead O'Connor
, and the dark, unhinged vulnerability of
Fiona Apple
, the London native crafted a debut that not only lived up to the machine-gun spray of buzz that heralded her arrival, but easily surpassed it. Like
Welch
has little interest (for the most part) in traditional
pop
structures, and her songs are at their best when they see something sparkle in the woods and veer off of the main trail in pursuit.
as good as it is, pales in comparison to standout cuts like
"Dog Days Are Over,"
"Hurricane Drunk,"
"Drumming Song,"
"Rabbit Heart (Raise It Up),"
and
"Cosmic Love,"
all of which are anchored to the earth by
's knockout voice, a truly impressive and intuitive trio of producers, and a backing band that sounds as intimate with the material as its creator. [
was also released in a Deluxe Edition that included
Lungs: The B-Sides
, a bonus disc featuring studio tracks like
"Swimming,"
"Falling,"
"Heavy in Your Arms,"
the latter of which appeared on the soundtrack for
Twilight Saga: Eclipse
, as well as live cuts (
"You've Got the Dirtee Love"
), demos (
"Ghosts"
), and remixes (the "
Yeasayer
Remix" of
"Dog Days Are Over"
).] ~ James Christopher Monger