This edition embraces Strindberg's crucial transition from Naturalism to Modernism, from his two finest achievements as a psychological realist,
The Father
and
Miss Julie
, to the three plays in which he redefined the possibilities of European drama following his return to the theatre in 1898,
A Dream Play, The Ghost Sonata,
The Dance of Death
. Michael Robinson's highly performable translations are based on the authoritative texts of the new edition of Strindberg's collected works in Sweden and include the Preface to
, Strindberg's manifesto of theatrical naturalism.
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