After hearing
Noah's Ark
, any concerns about
CocoRosie
becoming too tasteful or straightforward after the widespread critical acclaim for their debut album,
La Maison de Mon Reve
, can be put to rest. If anything, the album errs in the opposite direction: alternately rambling and hypnotic, it's much more somber and insular (despite the presence of such kindred spirits as
Devendra Banhart
and
Antony
of
Antony & the Johnsons
) than the duo's subversively angelic-sounding debut.
certainly had a dark undercurrent that added considerable sting to its sweetness, but it's much more prominent on
; sad, eerie lyrics like
"K-Hole"
's "All of the aborted babies will turn into little Bambies" are paired with equally spooky, mournful music instead of the deceptively light tones of the group's first album. There's a lot of power in the album's darkness, particularly on the apocalyptic campfire singalong
"Armageddon."
However,
occasionally feels too mannered and unfocused, and overly reliant on the sound effects and toy instruments that made their first album so surreally charming: in particular, interludes like
"Milk"
"Bear Hides and Buffalo"
sound like
noise
collages missing the key pieces that would hold them together. That said, the album still has many moments of transporting beauty, especially on the songs that feel less cloistered. On
"Beautiful Boyz,"
's gorgeous croon adds a touch of
cabaret
to the song's tale of star-crossed jailhouse love, and
Banhart
's Spanish-language mysticism on
"Brazilian Sun"
advances
's dreamy exoticism, giving it a more organic feel than it had on
. Indeed, the more natural moments on
are often the best: the title track,
"South 2nd,"
"The Sea Is Calm"
all put the focus on the
Casady
sisters' delicate singing and playing. A disappointment mostly in comparison to the seemingly out-of-nowhere brilliance of
,
might fail to charm those not already bewitched by that album, but it won't break the spell for devoted fans. ~ Heather Phares