's profound songwriting and musical clarity have historically been overshadowed by tired criticisms of her more avant-garde material and even more tedious assessments of her connection to . What doesn't get talked about enough is 's sharp approach to penning strange but crystal-clear pop songs, and how those tracks have quietly influenced new acts for decades. illuminates 's often unsung influence on the last few generations of indie rock by collecting covers from across her wide discography, performed by artists who are fans and followers. The compilation is curated by 's , and contribute a toned-down, metered interpretation of the track "Waiting for the Sunrise" with a variety of crisp guitar tones and clean vocal harmonies. Indie makeovers of 's sometimes obtuse songs make for some of 's best entries. strips down the originally buzzy and thickly orchestrated "Nobody Sees Me Like You Do" to just piano and vocals, and 's take on the track "Toyboat" brings the song's emotional yearning to the surface with its powerful vocal performance and straightforward arrangement. On more intense offerings, transform the somber selection "Mrs. Lennon" into a parade of multicolored distortion, and shout and smash their way through the aggressive "No No No." work magic on "Born in a Prison," replacing its doo wop backing with twinkling bells and symphonic flourishes. show up on their own and as a backup band for , and other standout tracks come from and former member . has been admired in indie circles for her singularity and boldness for as long as she's been active. Scheduled to coincide with her 89th birthday, is a fitting tribute to an artist who's challenged herself and her audiences for the entirety of a lifelong career, and inspired entire sects of music in the process. ~ Fred Thomas