Part memoir, part cultural criticism, part history, Anne Anlin Cheng’s original essays focus on art, politics, and popular culture. Through personal stories woven with a keen eye and an open heart, Cheng summons up the grief, love, anger, and humor in negotiating the realities of being a scholar, an immigrant Asian American woman, a cancer patient, a wife of a white man, and a mother of biracial children . . . all in the midst of the (extra)ordinary stresses of recent years. explores with lyricism and surgical precision the often difficult-to-articulate consequences of race, gender, migration, and empire. It is the story of Chinese mothers and daughters, of race and nationality, of ambition and gender, of memory and forgetting, and the intricate ways in which we struggle for interracial and intergenerational intimacies in a world where there can be no seamless identity.