From award-winning novelist Paul Auster comes the graphic adaptation of his deeply beloved series,
The New York Trilogy
, a postmodern take on detective and noir fiction.
In 1994, Paul Auster's
City of Glass
was adapted into a graphic novel and became an immediate cult classic, published in over 30 editions worldwide, excerpted in
The Norton Anthology of Postmodern Fiction. B
ut
was only the first novel in a series of books, Auster's acclaimed
New York Trilogy
, and graphic novel readers have been waiting for years for the other two tales to be translated into comics.
Now the wait is over.
is post-modern literature disguised as Noir fiction where language is the prime suspect. An interpretation of detective and mystery fiction, each book explores various philosophical themes. In
, an author of detective fiction investigates a murder and descends into madness.
Ghosts
features a private eye named Blue, trailing a man named Black, for a client called White. This too ends with the protagonist’s downfall. And in
The Locked Room
, another author is experiencing writer’s block, and hopes to brake it by solving the disappearance of his childhood friend. The second two parts of this trilogy will be appearing in this volume for the very first time as a graphic novel.
Paul Karasik, the mastermind behind the three adaptations, art directed all three books.
is illustrated by the award-winning cartoonist David Mazzucchielli, the second volume,
Ghosts,
is illustrated by
New Yorker
cover artist, Lorenzo Mattotti, and
is adapted and drawn by Karasik himself. These adaptations take Auster’s sophisticated wordplay and translate it into comicsplay: both highbrow and lowbrow and immensely fun reading.