During 1969 and 1970,
CCR
was dismissed by hipsters as a
bubblegum pop
band and the sniping had grown intolerable, at least to
John Fogerty
, who designed
Pendulum
as a rebuke to critics. He spent time polishing the production, bringing in keyboards, horns, even a vocal choir. His songs became self-consciously serious and tighter, working with the aesthetic of the
rock
underground --
was constructed as a proper album, contrasting dramatically with
's previous records, all throwbacks to joyous early
records where covers sat nicely next to hits and overlooked gems tucked away at the end of the second side. To some fans of classic
, this approach may feel a little odd since only
"Have You Ever Seen the Rain"
and maybe its B-side
"Hey Tonight"
sound undeniably like prime
Creedence
. But, given time, the album is a real grower, revealing many overlooked
Fogerty
gems. Yes, it isn't transcendent like the albums they made from
Bayou Country
through
Cosmo's Factory
, but most bands never even come close to that kind of hot streak. Instead,
finds a first-class songwriter and craftsman pushing himself and his band to try new sounds, styles, and textures. His ambition results in a stumble --
"Rude Awakening 2"
portentously teeters on the verge of
prog-rock
, something
just can't pull off -- but the rest of the record is excellent, with such great numbers as the bluesy groove
"Pagan Baby,"
the soulful vamp
"Chameleon,"
the moody
"It's Just a Thought,"
and the raver
"Molina."
Most bands would kill for this to be their best stuff, and the fact that it's tucked away on an album that even some fans forget illustrates what a tremendous band
Creedence Clearwater Revival
was. ~ Stephen Thomas Erlewine