This polished study of the uses of reason in poetry is a philosophical meditation. Its basic thesis is that poetry is the objective correlative of reason, and in this sense it attacks both romantic subjectivism and the more general tendency to consider poetic effects in terms of reason-emotion dichotomy.Originally published in 1966.A UNC Press Enduring Edition — UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.