Antonio Vivaldi
's
Le Quattro Stagioni
is one of the most beloved works in Baroque music, and even the most casual listener can recognize certain passages of Spring or Winter from frequent use in television commercials and films. Yet if these concertos have grown a little too familiar to experienced classical fans,
Max Richter
has disassembled them and fashioned a new composition from the deconstructed pieces. Using post-minimalist procedures to extract fertile fragments and reshape the materials into new music,
Richter
has created an album that speaks to a generation familiar with remixes, sampling, and sound collages, though his method transcends the manipulation of prerecorded music.
has actually rescored the
Four Seasons
and given the movements of Spring, Summer, Autumn, and Winter thorough makeovers that vary substantially from the originals. The new material is suggestive of a dream state, where drifting phrases and recombined textures blur into walls of sound, only to re-emerge with stark clarity and poignant immediacy. Violinist
Daniel Hope
is the brilliant soloist in these freshly elaborated pieces, and the
Konzerthaus Kammerorchester Berlin
is conducted with control and assurance by
Andre de Ridder
, so
's carefully calculated effects are handled with precision and subtlety.
Deutsche Grammophon
's stellar reproduction captures the music with great depth, breadth, and spaciousness, so everything
and
de Ridder
intended to be heard comes across. ~ Blair Sanderson