Judas Priest
rebounded from the shaky
Point of Entry
with
Screaming for Vengeance
, arguably the strongest album of their early-'80s commercial period. Having moved a bit too far into simplistic hard rock,
Vengeance
found the band refocusing on heavy metal, and achieving a greater balance between commercialism and creativity. The results were catchy and accessible, yet harder-hitting, and without the awkwardly apparent calculation that informed the weakest moments of the album's two predecessors. Ultimately,
hangs together better than even the undeniable landmark
British Steel
, both thematically and musically. There's less of a party-down feel here -- the remaining traces of boogie have been ironed out, and the lyrics return to the darkness and menace that gave the band its mystique. Sure, if you stop to read the lyrics, all the references to demons and devils and monsters can look a little gratuitous, but the music here is so strong that there simply aren't any seams showing. Even the occasional filler is more metallic this time around -- in place of trite teenage rebellion, listeners get the S&M-themed "Pain and Pleasure." In fact, "Pain and Pleasure" and "Fever" are the only two songs here that have never shown up on a band retrospective, which ought to tell you that
Priest
's songwriting here is perhaps the best it's ever been. The midtempo grooves that enlivened
are here in full force on the band's signature tune, "You've Got Another Thing Comin'" (their only American chart single), as well as "Bloodstone," "Devil's Child," and unfairly forgotten single "(Take These) Chains," all uniformly great. But there's a nearly equal emphasis on uptempo headbanging, thanks to the classic "The Hellion/Electric Eye," the terrific album track "Riding on the Wind," and the stupendously high-velocity title cut, which is the closest they ever came to thrash metal (at least in the '80s). Despite a one-album misstep in between,
managed to capitalize on the commercial breakthrough of
, becoming the first
album to be certified double platinum, and reaching the Top 20 in America and the U.K. alike. Along with
, it ranks as one of the best and most important mainstream metal albums of the '80s. ~ Steve Huey