On their third record, Sweden's introspective
country-folk
rockers
Amandine
crank it up to 11 and kick out the jams. Everything's relative, of course, and
Solace in Sore Hands
is much more
Shearwater
or
Sun Kil Moon
than
Crazy Horse
Uncle Tupelo
. But whereas
's first two releases highlighted their elegant chamber-twang, whispered vocals, and their knack for staying just this side of precious,
Solace
is, by comparison, a livelier affair that nevertheless hews closely to the band's wistful aesthetic. Singer
Olof Gidloef
's upper-register vocals still sound like a frail cousin to
Sufjan Stevens
Sam Beam
, and
's despondent narratives are pretty much what you'd expect from a country with the purported highest suicide rate in the world. "Who says hardship make us strong?" a perplexed and resigned
Gidloef
asks on
"Silver Bells,"
a fair barometer of
's general tenor. But this time around, the guitars are more often electric than acoustic, the soft/loud contrasts greater, and the crescendos tend to burn rather than smolder. This is especially true of cuts like
"Chores of the Heart,"
"Secrets,"
and album highlight
"Our Nameless Will,"
where rousing, full-throated choruses buffet gentle verses accented with banjo, piano, accordion, glockenspiel, and violin. Other songs amplify the twang:
"Standing in Line"
includes a
Creedence
-like guitar riff and
"Better Soil"
is as close to a sloppy rocker as
's considered arrangements will probably ever allow. The relative muscle-flexing revives the pace whenever it seems about to flag, and also helps quieter moments like
"Shadow of Grief"
and
"Soldiers Hands"
stand out in relief. This more urgent
still won't do much for the hard-hearted or "those about to rock" crowds, but if you like your melancholia in the fashion of
Norfolk & Western
, then
probably belong in your collection. ~ John Schacht