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Sounds of Home
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Sounds of Home
Current price: $16.99
Barnes and Noble
Sounds of Home
Current price: $16.99
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Gulf Coast roots guitarist and lap steel maestro
Damon Fowler
's swampy mix of blues, bayou R&B, country, rockabilly, sacred steel, and swing has, at its best, a taut, precise, and haunting tension underlining
Fowler
's gently hoarse, easy, and naturally flowing everyman vocals. While it's tempting to call
a blues player, and he does feature plenty of blues in all of his sets and albums, he has enough country in his voice and enough pop smarts in his songwriting to paint on a wider canvas than that.
Sounds of Home
, his sixth album and third for
Blind Pig Records
, shows this clearly, from the opener, "Thought I Had It All," an eerie, swampy confessional, through the drive-the-highway pop of "Spark," the bright, bouncy, and melodic country shuffle of "Where I Belong," and sharp covers of
Elvis Costello
's "Alison" and
Johnny Winter
's "TV Mama" (these two, along with the charming version of the traditional "I Shall Not Be Moved" that closes the album, are the only ones here that
didn't write). Produced by
Tab Benoit
and recorded at Whiskey Bayou Studios in Houma, Louisiana,
has a deep, clear, and full-room sound, with
's guitar lines cutting though sharp as Texas wind over a Louisiana swamp, and when he goes to the lap steel, well, it's like a sleek and chiming gospel angel just flew into the room. ~ Steve Leggett
Damon Fowler
's swampy mix of blues, bayou R&B, country, rockabilly, sacred steel, and swing has, at its best, a taut, precise, and haunting tension underlining
Fowler
's gently hoarse, easy, and naturally flowing everyman vocals. While it's tempting to call
a blues player, and he does feature plenty of blues in all of his sets and albums, he has enough country in his voice and enough pop smarts in his songwriting to paint on a wider canvas than that.
Sounds of Home
, his sixth album and third for
Blind Pig Records
, shows this clearly, from the opener, "Thought I Had It All," an eerie, swampy confessional, through the drive-the-highway pop of "Spark," the bright, bouncy, and melodic country shuffle of "Where I Belong," and sharp covers of
Elvis Costello
's "Alison" and
Johnny Winter
's "TV Mama" (these two, along with the charming version of the traditional "I Shall Not Be Moved" that closes the album, are the only ones here that
didn't write). Produced by
Tab Benoit
and recorded at Whiskey Bayou Studios in Houma, Louisiana,
has a deep, clear, and full-room sound, with
's guitar lines cutting though sharp as Texas wind over a Louisiana swamp, and when he goes to the lap steel, well, it's like a sleek and chiming gospel angel just flew into the room. ~ Steve Leggett