A series of provocative essays about modern culture.
In an idiosyncratic hybrid of diary and diatribe, author Adrian Trehorse lambastes many of the cultural icons of the 1990s. Meanwhile, he stumbles toward his own conclusions about sex, art, religion and mortality. There is something to offend everyone in this collection by a writer that Saul Bellow did not call a "disturbing new, if middle-aged, voice."