Fiction. In an obsessive monologue vaguely after the manner of Thomas Bernhard, a socially inept writer, in an attempt to deflate or defeat the humiliation of seeking to impress the smooth-talking, self-important sorts of people he loathes but envies, tries to get to the bottom of an embarrassing incident from his childhood, with entertaining but refreshingly anti-climactic non-results. In THE QUIDDITY OF DELUSION, both barrels of Nicholls' word-gun are, as always, loaded, and the ego gets it hard in the nads.