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's 1995 debut
Short Bus
broke through at the exact moment when
Nine Inch Nails
soundalikes began dominating the modern rock charts.
had more credit to their sound than any of their peers -- their leader
Richard Patrick
had played in the touring incarnation of
NIN
. Nevertheless, many critics had written the band off as one-hit wonders with the crossover single
"Hey Man, Nice Shot"
being their one shot at glory. Since it took them four years to deliver the followup
Title of Record
, it could appear to the casual observer that the delay was proof positive that the band was a flash in the pan, but the album itself proves them wrong. If anything, it's a stronger album than its predecessor, with more sonic details and stronger songwriting.
is still firmly within the industrial-metal tradition -- parts of it sound like it could have been on
, actually -- but it's surprising how often
Patrick
bends the rules. There's trippy neo-psychedelic pop vocals that close
"Captain Bligh,"
and even when the music rages (which it does throughout the record), there are subtle differences in tension and dynamics that keep it fresh and engaging throughout. It is true that
sound a little out of place within the modern rock world of 1999, where the aggro-metal is rooted in hip-hop not industrial, but that doesn't mean that
isn't a strong album on its own merits, according to the rules of its genre. ~ Stephen Thomas Erlewine