Arguably (and not many would argue) the greatest living jazz pianist,
Chick Corea
has had a long and highlight-filled career, beginning with his tenure with the great
Miles Davis
when
Davis
was defining the jazz-rock synthesis, through
Corea
's own breakthrough jazz fusion recordings and his subsequent journeys into everything from the post-bop avant-garde to classical and new age, and his restless and musically inclusive spirit has always shone through. This expansive live release finds
working with bassist
Christian McBride
and drummer
Brian Blade
, and the three have an uncanny connection, filling space with gorgeous and subtle phrasings, gliding through all manner of styles with a seemingly effortless elegance, grace, and freshness. The three-disc
Trilogy
was recorded live at tour stops in Washington, D.C. and Oakland, California, and in Spain, Switzerland, Austria, Slovenia, Turkey, and Japan, by
's longtime (since 1975) recording engineer
Bernie Kirsh
, who has provided the trio with a bright, warm production sound that allows each player's slightest shift and voicing to come through with clear precision. In spite of the various locations, this set has a remarkable sonic coherency. It might be too much to call this set a summation of
's legacy, but it does have the slight feel of a retrospective collectio. The band revisits classic
compositions like "Spain" and covering several tunes from the Great American Songbook, a couple of
Thelonious Monk
tunes ("Blue Monk" allows bassist
McBride
to particularly shine), a previously unissued
composition, the half-hour "Piano Sonata: The Moon," where the trio shows its ability to move between scored and improvised sections with breathtaking ease, and even a take on classical Russian composer
Alexander Scriabin
's "Op. 11, No. 9" that manages to breathe and flow without sounding like a forced fusion of classical and jazz. There are guests on three tracks, flutist
Jorge Pardo
and guitarist
NinÌ?o Josele
on "My Foolish Heart" and "Spain," and vocalist
Gayle Moran Corea
, the pianist's wife, on "Someday My Prince Will Come," but it's the three primary musicians who drive everything. Not exactly a holding pattern, and not exactly a career summation,
will surely please and delight
's many fans. ~ Steve Leggett